“Professor” Emelius T. Dread was an
itinerant showman in the late 19th century. He made ends meet by
performing as a vaudeville magician, touring throughout Europe. His stage
performances became known for the morbid, Grand Guignol-style illusions and
Dread’s macabre sense of humor. Fascinated with the Occult, Dread often took
inspiration from real rituals and rites when designing his stage performances;
the notorious Black Magician Aleister Crowley attended a performance of Dread’s
as a young boy, later remarked on the show’s “Curious authenticity.” He dreamed
of one day creating his very own year-round fairground, as were beginning to
become popular.
One day, in 1884, Dread met the man
who is possible the infamous sideshow “freak” of all time: Joseph Carey “John”
Merrick, AKA “the Elephant Man”. Merrick wrote to Dread, knowing of Dread’s
show business connections, hoping to establish himself as a sideshow attraction
in a bid to escape the workhouses of Leicester. Dread agreed, and, with the help
from an old vaudeville associate named Sam Torr, assembled a collection human
oddities and toured under the banner of “Prof. E.T. Dread’s Museum of the
Weird”. The “Museum” was essentially a travelling tent show that featured a
collection of bizarre artifacts, such as actual murder weapons, and a stage
performance with Dread as the Master of Ceremonies, introducing acts such as
Anastasia the Bearded Lady, The Invincible Galletti, the Wild Men of Borneo,
and of course, Merrick, the star attraction. A notorious eccentric, Dread
helped gain attention for the troupe by the outlandish appearance he conceived
for his role as barker and MC – he twisted his hair into dreadlocks to match
his name, and sported outlandish harlequin makeup. The toured all across
Europe, and were incredibly successful. Members of the troupe later remembered
how Merrick & Dread seemed especially close; once, when a drunken, rowdy
patron loudly referred to Merrick as a “dumb animal”, Dread actually jumped
from the stage in a rage and broken the man’s nose. Eventually, the show was
re-christened “Merrick & Dread’s Museum of Wonders”.
Dread shared his plans with Merrick
for one day building a permanent amusement park attraction, possibly in the
United States. Merrick, who by this this point had substantial funds saved up,
was initially willing to invest in his friend’s dream. Only fate had other
ideas. In seems
that in some point in the spring of 1886, during a tour in Brussels, Merrick
and Dread had some kind of falling out. Why it happened is not know, but
Galletti, the strongman of the troupe, later stated that Merrick’s Christian
faith had alienated him from Dread and his Occult practices. Regardless,
Merrick returned to England, and was eventually admitted to the London Hospital
as a permanent resident by Frederick Treves.
Almost immediately after Merrick’s
departure, Dread’s sideshow began losing money hand over fist. Desperate to win
back his star attraction, Dread weekly wrote letters to Merrick, trying to win
him back, to no avail. He tried to visit Merrick during his time at the
hospital, but Merrick refused to see him. Dr. Treves later remarked that “The
only man John (Merrick) was ever truly afraid was Emelius Dread.” Broke, Dread
returned to performing as a stage magician. Eventually, in December of 1889,
Dread managed to arrange a meeting with Merrick, still hoping to revive their
former partnership. While no one else was present, nurses heard much angry
shouting from Dread, later seeing him running from Merrick’s room, clutching at
his left eye; Merrick stated that he struck him, but would not say why. Five
months later, Merrick was found dead in his room of suffocation. His death was
blamed on his abnormally large cranium having caused him to suffocate in his
sleep, but some whispered Prof. Dread had taken his revenge on the Elephant Man
for blinded eye; some even said that Merrick’s death was the result of Black
Magic.
In the summer of 1890, Dread left
England for the US. It was there that that he found employment as a performer
at Steeplechase Park on Coney Island, one of the first amusement parks in the
US. Around this time, Dread began an obsession with dark rides and funhouses. He
would spend late nights designing and re-designing his amusement park dream,
only now the plans got darker and darker, and the amusements and shows more
sinister. For almost 30 years, Dread bid his time and saved his money, waiting
for the opportunity.
Eventually, in 1931, he launched
not an amusement park but a traveling carnival – Merrick & Dread’s Carnival
of Wonders. No one was really sure why he used his former partner’s name. Dread
himself never said why. The carnival did gain some infamy for Dread’s employing
mostly ex-cons. Touring the country, Dread’s carnival was enormously
successful. For four years it toured the country. But curiously, it left a
string of mysterious deaths and disappearances. Eventually, FBI investigators
caught up to the carnival in the town of Indiana, Pennsylvania in October of
1935. When they arrived, they found it completely abandoned. While exploring
the grounds, not a single person was found. Entering some of the train cars,
they found fresh, steaming cups of coffee, as though they had just been set
down. In Prof. Dread’s private car, they found the entire car set up as though
for an Occult ritual. Human blood was found on the scene, but never any bodies.
The carnival was trucked
off to the local junkyards, and the strange disappearance was largely forgotten
about by the people of Indiana, PA. But some say, on cold October nights, if
the moon is bright and the wind is blowing, you can almost smell the aroma of
cotton candy and hear the sound of a ghostly circus calliope approaching...The only known photograph of a young Emelius Dread (right) and Joseph Merrick (left) in the early days of the Museum of the Weird. |
Spookedy, chillingly, sping-tingly!
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